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Alyssa Curtayne's avatar

Thanks, as always, for your support Lynden 🙏

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Lynden Wade's avatar

You're welcome, I enjoy your thoughtful posts.

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Caitlin Gemmell's avatar

The Princess and the Pea was one of my favorite fairy tales when I was a kid. I was intrigued by the princess showing up by herself, drenched to the core. There are so many unanswered questions about this story, which is perhaps why it continues to fascinate. I loved your reflections on it.

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Lynden Wade's avatar

Yes, that's intriguing too, isn't it? No carriage? No retinue? No family to invite to the wedding? The description is wonderful, too. The rain "ran down into the toes of her shoes and out again at the heels"!

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Stephanie Ascough's avatar

So fascinating! I enjoy your monthly posts so much.

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Lynden Wade's avatar

Thanks, Stephanie!

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David Neilson's avatar

Super pictures!

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Lynden Wade's avatar

Thanks, David! Do you have your own theories on why Cymbeline is such a melodrama?

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David Neilson's avatar

This is embarrassing, but I've never seen Cymbeline. I had to read it about 1972 or 1973, but I don't remember a word of it. I'm sure it was good on the stage, though! :)

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Lynden Wade's avatar

No need to be embarrassed, it seldom gets put on stage. And it seldom gets quoted, either, which will say something about why you don't remember it from your reading ie it's not that memorable. When I opened my Complete Works I found I'd annotated Cymbeline, which means I've read it in the past, and I remembered very little of it when I set off to see it!

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David Neilson's avatar

I suppose all of these late plays have a whimsical, fairytale approach to them. I don't suppose anybody knows why exactly, unless it's some kind of balanced emergence from dark tragedy. Whatever it is, it won't be that simple. 🙂

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